
Congratulations to the 2007 AL East Champions! You earned it.
1. Who's your hero? Why (Not necessarily a writer -- do not include deities or family)?
My literary hero is Lucille Clifton. She's a prolific poet and well-versed on African American and African culture. And, she wrote with lots of children around.
2. Who's your favorite dead poet? Which of their poem do you like best?
My favorite is dead poet is Whitman, with Leaves of Grass/I Sing the Body Electric as a personal favorite. I often recite lines to myself when no one is around. I'm also a big fan of the late Gwendolyn Brooks, Robert Frost, Anne Sexton, Audre Lorde, and Langston Hughes.
3. What well-known poet/writer have you met? What was the occasion?
Since I am a fan of poets, I seek out opportunities to hear them whenever I can. Some of the following I have studied with, some I have met at reading or events such as the Dodge Poetry Festival.Allen Ginsberg
Stanley Kunitz
Lucille Clifton
Billy Collins
Rita Dove
Robert Bly
Grace Paley
Toi Derricotte
Cornelius Eady
Sonia Sanchez
Sharon Olds
Galway Kinnell
Phil Levine
Yusef Komanyaka
Mark Doty
Ruth Stone
David Ignatow
Glyn Maxwell
Sekou Sundiata
I've also met lots of up-and-coming poets, too. I'll take advantage of any opportunity to talk to a writer, famous or not. I'm not saying that I've had long conversations with them, but I have shaken their hands and told them how much I enjoyed their work.
4. How do you recognize a bad poem? What are its characteristics?
If it walks like a duck and talks like a duck ...5. Why are some poems entitled untitled? What's your take on that?
I don't understand untitled poems. The title sets the tone for the poem. It is the unofficial first line, so not having a poem title is a wasted opportunity. Of course, I'm interested to see how others feel about the untitled poem.
Thank you for answering and posting the gems on your blog/site. We'd love it if you could leave a comment here telling us where to look. Memes are a good way of discovering people and sharing knowledge.

If you are interested in exchanging a poem on a postcard, e-mail me at jgill27494@aol.com. I'll post all of the postcards, with permission of course. Postcards I've received so far will be posted this week. And if I've promised a poem to you, don't worry--it's coming!

This is my revised to-do list. It represents the things I’ll focus on for the rest of the month.

Galway is 80 now and no longer teaching at NYU, but Sharon still teaches there; although, I don't think they still do this weekend retreat. (Twelve college students spending the we together--I don't think so.) I'm just grateful to have this memory, and to be able to share this experience with you.
I am still processing the love and kind words spoken about Phebus. Dante Micheaux, arranged a wonderful evening of celebration at New York University’s Lillian Vernon Creative Writers’ House on Friday night. Poets Sarah Gambito, Aracelis Girmay, Joseph O. Legaspi, Vikas Menon, Dante Micheaux, Khalil Murrell, Mendi Obadike, Gregory Pardlo, Evie Shockley, and Ron Villanueva filled the night with stories and recollections, as well as Phebus’ brave poems. I was happy to be included as one of the readers.
We selected poems in Phebus’ unpublished manuscript titled Chainstitching, reading in the order that the poems appeared in her collection, which gave the evening its flow. The emotions ran from joyous to somber and back to joy again—in no small part to the loving musical tribute that Mendi and her husband brought to the evening (THANK YOU!).
I think each of us felt that we got a little closer to Phebus by sitting with her words. And then to speak about her, for her—it just felt good to be able to praise her instead of mourning her loss.
Being there with so many wonderful poets, and being back at my old stomping grounds, NYU, renewed my spirit. I have her to thank for that.
My one wish for Phebus' legacy is that her manuscript gets published someday.
