Cooking in My Sleep
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Have you seen the beautiful cover of Kelli Russell Agodon’s second poetry collection, titled Letters from the Emily Dickinson Room? I love reading how authors decide on the cover art because there’s usually a good story behind the selection. And many times, their stories end with, “this art was the best representation of my work.”
For the Underlife cover, I had two excellent choices, but the publisher liked the mannequin legs over another very strong image. It worked out for the best. In the end, the cover is an extension of the work—which is an extension of the poet. So cheers to Kelli for selecting her cover. I bet the book feels much more real now that the cover’s in place.
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What can you do to increase your chances of getting editors to accept your poetry submissions? Start by visiting Martha Silano's blog.
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Valentine’s Day is upon us. For those who don’t know, that’s my birthday. I’ll be 41 on February 14. I’m sure there’s some meaning there. More on that tomorrow.
Comments
Just jumping on to say hi and I love your blog! Thanks for posting a link to my site.
-Luke Curran
now i need to come up with an answer about my cover art..hmmm
As for cover art, I hear a lot about writers not having any or very little input into the cover selection. So I'm always interested to hear the process behind the art.
Can't wait to read your collection.
We spend so much time writing alone that it's hard to know if the work is reaching the audience. I'm glad you enjoyed Underlife.